Ident. | Authors (with country if any) | Title |
---|
000000 |
Marilyn Mccord Adams [États-Unis] | Psalm 85 |
000012 |
Lawrence T. Nichols [États-Unis] | Sorokin as Lifelong Russian Intellectual: The Enactment of an Historically Rooted Sensibility |
000040 |
Craig H. Russell [États-Unis] | Serra and Sacred Song at the Founding of California's First Missions |
000051 |
John R. Albright [États-Unis] | TIME AND ETERNITY: HYMNIC, BIBLICAL, SCIENTIFIC, AND THEOLOGICAL VIEWS |
000071 |
Jonathan Kregor [États-Unis] | Stylistic Reconstructions in Liszt's Late Arrangements |
000079 |
Paul Hawkshaw [États-Unis] | Anton Bruckner's Counterpoint Studies at the Monastery of Saint Florian, 1845–55 |
000084 |
Daniel S. Mollod [États-Unis] | BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY |
000106 |
Alan H. Goldman [États-Unis] | The Experiential Account of Aesthetic Value |
000146 |
Robert H. Woody [États-Unis] | Reality-Based Music Listening in the Classroom: Considering Students' Natural Responses to Music |
000152 |
Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
000197 |
Helmut Feld ; James P. Sickinger [États-Unis] ; David Konstan [États-Unis] ; Helen King [Royaume-Uni] ; Hugh H. Benson [États-Unis] ; D. M. Hooley [États-Unis] ; Stanley M. Burstein [États-Unis] ; Géza Alföldy [Allemagne] ; Richard Jenkyns [Royaume-Uni] ; John M. Riddle [États-Unis] ; J. Verheyden ; Alain Le Boulluec ; François Paschoud [Suisse] ; Reinhold F. Glei [Allemagne] ; Brendan Dooley ; Charles Fantazzi [États-Unis] ; Franz-Hubert Robling [Allemagne] ; Daniel Katz [France] | Book reviews |
000208 |
Meredith Faith [États-Unis] ; Julian F. Thayer [États-Unis] | A dynamical systems interpretation of a dimensional model of emotion |
000227 |
R. Beverly Raney [États-Unis] | Music, medicine, and modus moriendi |
000242 |
Aaron Kramer [États-Unis] | Creative Defiance in a Death-Camp |
000286 |
Pasquale Accardo [États-Unis] | Arnoldisms |
000290 |
David Ingram [États-Unis] | The Copernican Revolution revisited: paradigm, metaphor and incommensurability in the history of science- Blumenberg's response to Kuhn and Davidson |
000353 |
Marilyn C. Vincent [États-Unis] ; Margaret D. Merrion | Meeting the Expressive Needs of Junior High Students |
000354 |
Stephen Watson [États-Unis] | Levinas, the ethics of deconstruction, and the remainder of the sublime |
000359 |
Erwin Chargaff [États-Unis] | Engineering a molecular nightmare |
000360 |
David Carrier [États-Unis] | EKPHRASIS AND INTERPRETATION: TWO MODES OF ART HISTORY WRITING |
000392 |
David E. Dickinson [États-Unis] | Tunes That Go Bump in the Night |
000426 |
A. M. W. Glass [États-Unis] ; Keith R. Pierce [États-Unis] | Existentially complete lattice-ordered groups |
000427 |
Donald Gutierrez [États-Unis] | D.H. Lawrence and Modern Destructiveness |
000442 |
Jay Parini [États-Unis] | THE PROGRESS OF THE SOUL: DONNE AND HOPKINS IN MEDITATION |
000486 |
Elaine Brody [États-Unis] | ‘DIES IRAE’ |
000507 |
Richard L. Hoffman [États-Unis] | Structure and symbolism in the Judgment Day II |
000533 |
Paul Pascal [États-Unis] | The conclusion of the Pervigilium Veneris |
000544 |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
000547 |
Paul Henry Lang [États-Unis] | Lenox, Massachusetts |
000561 |
Paul Henry Lang [États-Unis] | REVIEWS OF RECORDS |
000566 |
Morris Golden [États-Unis] | NOTES ON THREE GOLDSMITH ATTRIBUTIONS |
000626 |
Victor Lange [États-Unis] | Notes on the German Literary Scene 1946–1948 |
000635 |
A. A. Brill [États-Unis] | Thoughts on life and death |
000668 |
C. O. Arndt [États-Unis] ; Robert Kirkpatrick [États-Unis] | Exploring Foreign Languages and Cultures |
000758 |
Edward Mcgrath [États-Unis] | TENNYSON AND SCOTT |
000760 |
Richard H. Thornton [États-Unis] | A RHYMING WARNING TO BOOK-BORROWERS |